I spend my time experimenting to create real-Time magic realism.

Nothing is digitally created or altered. All works are hand-made in miniature with various

techniques ranging from filming under water to the use of reflection. The primary

Motivation behind this approach is two-fold. First: a deep concern for the environment and

a belief That our impact will not truly change without genuine heartfelt appreciation, as

opposed to feelings of guilt and blame. Second: A theory that viewers

afford greater value to that which has been preprocessed by another human being than

truth alone. Hence, while the works are firmly rooted in the here and now, Scenes

are constructed from memory and the imagination. In this way, these works are

highly dramatized nature documentaries, featuring the fluttering husks of human remnants.

 

 

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